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Yellow

Artiscreation

■ PY35 (cadmium zinc sulfide)

Overview of S.M.
- Pebeo
- Van Gogh
- Rembrandt
- Master class
- Blockx
- Michael Harding
Handprint - watercolors

Different

Overview of S.M. - mixtures with PW4 (?), PB7, PBr7, PO73
- ■ PY35 (lemon, light, medium, dark)
  - #F7D700 ■ Winton Cadmium Lemon 86
  - #FDD805 ■ Winton Cadmium Yellow Light 113
- ◑ PY1 Hansa yellow G, arylide
  - Shinhan 706
  - Artiscreation
  - student paint (Sonnet)
- ■ PY37 cadmium sulfide CdS
  - Shinhan 787
- □ PY3 arylide yellow (?)
  - also available as Sonnet
- □ PY74 arylide yellow, Winton Oil
  - Winsor Yellow 730
- □ PY128 azo condensed
  - Rembrandt 272 (Transparent Yellow Medium)
- ◑ PY154 Benzimidazolone
  - Rembrandt 283 (Permanent Yellow Light)
- / PY150 Nickel azo, Master Class golden yellow
- □ PY110 Isoindoline
- □ PY129 Copper azomethine (Rembrandt)
  - greenish
- ◑ PY175
  - Maimeri Classico Permanent Yellow Lemon 112
- ◑ PY97 Monoazo
  - Maimeri Naples Yellow Light 105
  - Maimeri Primary Yellow 116
- ■ PY155 Disazo
  - Maimeri Artisti Transparent Yellow 122
- ■ PY31 - Barium Chromate
  - MH Lemon Yellow 108
  - Jackson’s Art dry pigment
- ■ PY139 - isoindoline
  - sypigment China
  - MH Yellow Lake Deep 202
  - very opaque, better than cadmium
- ◑ #FCD700 ◑ PY120 Stabilized monoazo
  - Old Holland Scheveningen Yellow Medium 14
  - slightly darker than PY97
- / PY65 - arylide yellow RN
  - WN Yellow Deep
  - Pebeo
- / PY153 - Nickel dioxin complex
  - Mussini (Schminke)
- ■ PY184 - Bismuth vanadate
  - Williamsburg Bysmuth Vanadate Yellow
- □ PY40 - Cobalt potassium nitrite, Aureolin
  - Williamsburg Cobalt Yellow
Overview of S.M. #2 - mixtures with PG7, PO73, PBr7, PW4
- ■ PY42 - Synthetic iron oxide yellow
  - yellow ochre
- ■ PY43 - Natural iron oxide, Fe2O3H2O
  - light ochre
- ■ PY109 - Isoindoline
- ■ PY151 - Stabilized monoazo
  - Hoenig HTL129
- ◑ PY83 - Stabilized di-arylide
  - Winton China (they lie about opacity, ■ - not true)
  - warm yellow color
- / PY213 - C23H21N5O9
- ■ PY53 - Nickel Titanate Yellow
- ◑ PY159 - zirconium silicate
- ◑ PY39 - Orpiment
  - arsenic sulfide?
  - mixes poorly with oil
- NY24 Gamboge
  - resin
  - poor lightfastness
- NY2 Reseda
  - mixes poorly with oil
  - poor lightfastness
- NY14 - Stil de Grain, sea buckthorn
  - rather brown
  - poor lightfastness
- NY8 - dyer’s mulberry
- PY41 - Naples yellow, Lead Antimoniate
  - Jackman’ art (yep, not Jackson’s; has price bugs)
  - MH Genuine Naples Yellow Light 605
- PY46 - Lead oxide, Massicot Litharge
  - Artiscreation
- Lead Tiny Type I (lead-tin)
Vicki Norman review on Naples Yellows
- Genuine Naples Yellow Light 605
- Genuine Naples Yellow Dark 606
- Naples Yellow 218 (PBr24)
- Warm White 137 (PW6, PY43)
- Manganese Violet 304 (Pv16 - manganese phosphate)
- Genuine Chinese Vermillion 701 (PR106 - HgS)
- Cobalt blue 506 (PB28 - cobalt aluminate)

Blue

Artiscreation

PB15 (Blue FC)

Overview of S.M.
- Master Class
- Pebeo
- Van Gogh
- Rembrandt
- Winsor Newton
- Michael Harding
- Williamsburg

PB29 (Ultramarine blue)

Overview of S.M.
- Master Class
- Schmincke
- Rembrandt
- Pebeo
- Old Holland
- Blockx

Red

PR101

Daniel Smith watercolors review

PR102

Daniel Smith watercolors review

Miscellaneous

Overview S.M. + PW4
- ■ PR108 - CdSe (Williamsburg, Rembrandt)
- □/■/╱ PR101 - Red iron oxide, synthetic (Williamsburg, Rembrandt)
- ■ PR122 - Quinacridone violet (Pebeo, Williamsburg)
- ◑ PR149 - Perylene red (Rembrandt)
- ◑ PR176 - Monoazo (Rembrandt Carmine)
- □ PR177 - Anthraquinonoid (Williamsburg Permanent Crimson)
- □ PR179 - Anthraquinone (perylene) (Williamsburg Perylene Crimson)
- □ PR187 - Madder lake red (Williamsburg Carl S Crimson)
- ╱ PR202 - Quinacridone Crimson (Rembrandt)
- □ PR207 - Quinacridone (Rembrandt)
- ◑ PR254 - Pyrrole (Diketopyrrolopyrrole) (Rembrandt)
- ◑ PR255 - Pyrrole (Rembrandt)
- / PR264 - Pyrrole Alizarin (Rembrandt)
Overview S.M. 2 + PW4 photo
- ■ PR108 - Cadmium red
- ■ PR102 - Natural iron oxide (Fe2O3)
- ■ PR9 - Naphthol red (C24H17Cl2N3O3)
  - when lightened, shifts somewhat toward the violet side, less opaque than PR108, less intense
- ■ PR144 - Azo Red (C40H23Cl5N6O4)
  - brownish in pure form
- ■ PR112 - Naphthol red (C24H16Cl3N3O2)
  - substitute for cadmium red
  - slightly violet when lightened
- ◑ PR166 - scarlet (C40H24Cl4N6O4)
- ◑ PR168 - scarlet anthraquinone (C22H8Br2O2)
  - warm when lightened
- □ PR175 - cherry red (C26H19N5O5)
  - lightfast
  - retains color purity when lightened
- □ PR83 - Alizarin red (madder lake red, C14H8O4)
  - from crimson to violet
  - known for 3500 years, extracted from madder
  - lightfastness lower than that of cadmium
- ◑ PR265 - cerium sulfide (Ce2S3)
- ■ Opal red (silicon dioxide hydrate)
  - brown color
  - used by the old masters
- NR9 Alizarin from madder (C14H8O4)
  - natural red
  - brownish-violet
  - low intensity
  - C14H8O4 (alizarin) + C14H8O5 (purpurin) + C15H8O7 (pseudo-purpurin) + C15H10O4 + C15H8O6
- NR4 - Carmine (cochineal, C22H20O13)
  - violet
  - good intensity
  - of little use in oil painting, has low lightfastness
Overview S.M. 3
- ■ PR108
- ◑ PR3 - naphthol (C17H13N3O3)
  - low weather resistance
- □ PR12 - naphthol (C25H20N4O4)
  - low weather resistance
  - violet
- ◑ PR188 - naphthol (C33H24Cl2N4O6)
  - weather resistance somewhat better
  - warmer than cadmium red
- □ PR206 - quinacridone (C20H12N2O2)
  - high light- and weatherfastness
  - when lightened, resembles burnt umber or English red (PR101)
- □ PR209 - quinacridone (C20H10Cl2O2)
  - lightfastness lower than PR206
  - mixes poorly in oil
- ◑ PR214 - azo pigment (C40H22Cl6O4)
  - good lightfastness and intensity
- ◑ PR242 - azo pigment (C42H22Cl4F6N6)
  - lightens toward the warm side
  - low intensity
- ■ PR251 - azo pigment (C25H13Cl2N5O3)
  - shifts toward orange when lightened
  - high light- and weatherfastness
- □ PR259 - aluminum-sodium sulfo-silicate (pink ultramarine)
  - weak intensity, similar to PR12
  - high light- and weatherfastness
- ■ PR105 - lead minium (Pb3O4)
  - orange
  - toxic
  - opaque
  - mixed with viridian resembles Indian yellow
  - “denser” than PO20 (cadmium orange)
  - with ultramarine turns brown
  - used in the 14th-19th centuries
- ■ PR106 - mercury sulfide HgS, cinnabar
  - inferior in brightness to cadmium red
  - with green phthalocyanine turns brown
  - conducts electric current
  - used in the 14th-19th centuries

White

Michael Harding

Vicki Norman review
- Titanium White (No 1)
- Zinc White (discontinued)
- Foundation White 225 (PW6 and PW1)
- Cremnitz White (No 2) (PW1)
- Warm White (lead white alternative, PW6+PY43)

Oranges

Artiscreation

Michael Harding

Vicki Norman review
- Cadmium Orange 502 – PO20 (CdSe)
- Permanent Orange 222 – PO73
- Lead White
- Lead Tin Yellow Lemon
- Pale Violet
- Permanent Green Light
- Amethyst
- Ultramarine Blue
- Vine Black

Miscellaneous

Peter Tyutrin’s Overview
- Cadmium Lemon
  - fairly active in mixtures
- Cadmium Yellow Medium
  - maximum lightfastness and opacity
  - applies well in thick layers
- ◑ Light Ochre PY43
  - can be opaque, Shinhan Art 708
- Golden Ochre
  - natpigments
- ◑ Natural Sienna
- …